Holding My Broken Heart Aloft

Graphite, conte, water soluble crayon on paper (1990)

Size: w 13″ x h 25″

I continue to expand and update my main website, where the range of my work can be seen under the Galleries tab : https://npaulvisualart.com

Madonna of the Tenements

Size: w 9″ x h 12″ x w 1.6″

Inkjet and acrylic. Enhanced photo print hand finished, mounted on painted birch panel.

From an Ektachrome transparency double exposure (Toronto, 1975).

This piece is one of several (17) of mine now on exhibit as part of the annual Show of Smalls, Art Noise Kingston Ontario (https://www.artnoise.ca/store/c22/NANCY_PAUL.html) involving 25+ artists. I took this slide as a student at the Ontario College of Art (now OCAD); this is the first time I have reproduced the image for show/sale.

Before the Dance (Tahiti)

Oil on canvas (?early 1980s)

Size: w 30″ x h 26″

This painting looks better now since the photograph was taken. It’s been cleaned, retouched, and varnished to bring out the deep shadows and rich colours. It is currently on display at The Piggery Gallery in Newburgh (https://www.thepiggerygallery.com/) along with many of my other pieces, large and small, recent and somewhat less so (for example, The Great Black Cow of Lascaux (https://npaulartworks.com/2016/07/31/the-great-black-cow-of-lascaux/).

The annual show of the Organization of Kingston Women Artists, UnRestricted, is currently up at The Window Gallery in Kingston (http://www.windowartgallerykingston.com/). The show can be experienced virtually (https://youtu.be/gm7JgXgVkvI) as well as in person, limited access of course. My piece in the show is On the Beach (Dark Summer), previously posted just over a year ago (https://npaulartworks.com/2019/08/) and my statement addressing the theme “unrestricted” is as follows:

I begin a painting with an idea and an image, sailing into the unknown, unrestricted in subject or intention.  I know where I start and will come to know where I end; between are clusters of small course corrections, at times dramatic changes of direction. The voyage is driven by instinct, the trajectory charted in retrospect; understanding comes afterward. Begun as a figure study, On the Beach ends as the experience of loss and death on a golden day under a sapphire sky.  The figure is burnt, branded and radioactively radiant, yet she looks up with hope, listening and waiting.

Main website: http://www.npaulvisualart.com