
Acrylic and ink on cradled birch panel (2025)
Size: w 36″ x h 12″ x d 1.5″

Conte on paper (1989)
This drawing was originally titled Under the Hill, after East Coker by T S Eliot.
“The houses are all gone under the sea.
The dancers are all gone under the hill.”
I said in 1989 that the image is about death and rebirth, about the passage of time and the rhythm of generations; that it also has to do with the elemental part of ourselves which we discover, recognize, only in times of extremity.

Water soluble crayon/pencil and graphite on paper (1990)
Size: w 13″ x h 25″
This is what I wrote in 1990 about this piece:
Like the photographer James Balog who photographed the 15-month-old Atlantic green turtle on its back, I too am “continually mesmerized by this image of delicate sensibility.” Balog tells us in his new book, Survivors: A New Vision of Endangered Wildlife, that the species is on the verge of extinction following systematic exploitation for meat, eggs, and oil. This picture is about vulnerability, and also about the awareness of incalculable suffering which surrounds and drowns each of us like a heavy sea. The turtle yearns to extend herself, to reach beyond her own separateness. The Scythian mirror, a relic from the sixth century BC, is symbolic of her vain, broken effort.

Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
Now finished — Ta-da!
Three of my paintings (Nereids in the Garden of Hippocampus, Leaving Eden, and Dragonfly Dance) are on exhibit at the Etobicoke Civic Centre this month through to June 6 as part of The Art of Regret, a group show of work by the Organization of Kingston Women Artists. Here is the link to the Civic Centre (scroll to click on Gallery Exhibitions and the image shown is of my piece, Leaving Eden).