Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
Almost there.
Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
Almost there.
Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
This painting is taking hours and hours but it has gradually revealed itself in depth, texture, rich colour. Not quite finished, as yet.
Acrylic, handmade paper, ink on cradled birch panel (2023)
Size: w 16″ x h 12″ x d 1.5″
Part II of Triptych Into White (I, II, III: Destruction, Extinction, Disintegration)
Extinction
Extinction is the complete disappearance of a species from earth (National Geographic Society).
Extinction: A situation in which something no longer exists (Cambridge Dictionary).
Mixed media (acrylic, wood shavings, metal scrap, fence wire), 2023
Size: w 16″x h 12″ x h 1.5″ cradled birch panel
Part I of Triptych Into White (I, II, III: Destruction, Extinction, Disintegration)
Destruction
Rubble, ash, splintered wood, stone dust, pulverized concrete. What remains after the bombing of cities and catastrophe of earthquakes.
Acrylic, ink, pastel, Japanese paper on cradled birch panel (2023)
Size: w 24″ x h 12″ x d 1.5″
The red-crowned cranes of northeast Asia are known for their beautiful plumage and graceful courtship dances. Here, they are joined by young Nereids practising their ballet steps. The dragonfly, an audience of one, is barely visible at the top centre of the painting. I owe my inspiration for this work to photographers Tim Flach (“Red Crown Cranes Courting” from his Endangered series) and Sarah Waiswa (“Last Act” from her Ballet in Kibera project) — thank you to both.
Acrylic, ink, Japanese paper on canvas (started 2021, still in progress 2023)
Size: w 22″ x h 28″‘ x d 2″
This is the first of two (or more) baby octopuses joining the Nereids in this painting. I think I am procrastinating about finishing the sea dragons who occupy the bottom half of the canvas, but who’s in a hurry? Unfortunately the sun came out when I had just gotten started photographing, so the top half of the image is a bit obscured in the glare.
Acrylic, Japanese paper, gold leaf on canvas (2020)
Size: w 28 x h 40 x d 1.75 inches
This piece is also known as Sea Change (Fall Rich and Strange) — June 2020 for the full image. That title still holds, but when I looked at the painting this morning the words came to me. The new title is dark, but perhaps letting out the dark allows the light to come in.