Acrylic, ink, pastel, Japanese paper on cradled birch panel (2023)
Size: w 30″ x h 15″ x d 1.5″
This painting was inspired by the cloudscapes of Georgia O’Keeffe (especially Sky Above Clouds IV, 1965) and Kees van Dongen’s depiction of the ballerinas Anna Pavlova and Ida Rubinstein dancing Cléopâtre (1909). I see it hung paired with Nereids at Nightfall See Fire and Rain (my March 2022 post https://npaulartworks.com/2022/03/31/nereids-in-fire-and-rain/).
Acrylic, ink, Japanese paper on cradled birch panel (2023)
Size: w 24″ x h 12″ x d 1.5″
The Northern White Rhino is on the verge of extinction but efforts to engineer the revival of the species are generating excitement. According to The Guardian (Dec2022): “Scientists who collected semen and eggs from the last living members of the rhino species hope to be able to implant embryos into a cousin of the northern white rhino as part of nascent repopulation efforts which, if successful, would be unprecedented.”
Acrylic, ink, water soluble crayon on tiles mounted on cradled birch panel (2021)
Size: w 16″ x h 12″ x d 2″
Just finished this piece for inclusion in a show of the same name, the annual OKWA (Organization of Kingston Women Artists) exhibit at the Window Gallery in Kingston, Canada for the month of October.
For a year and a half a herd of elephants has been migrating across southwest China, covering hundreds of miles – sometimes wandering through neighbourhoods or crossing city thoroughfares cleared of traffic by police monitoring their progress. No-one knows why they left the Xishuangbanna National Nature Reserve in March 2020, but diminishing habitat would have been a factor. Perhaps then they got lost and just kept going. Only now are they almost home again.
The mystery of the venture combined with the roaming herd’s determination and stamina has fascinated people around the world these many long pandemic months. We have been captivated by the soulful, at times playful, creatures and taken inspiration from their quest. In the words of a young man hired to deliver corn and pineapples to the always hungry elephants, “it almost felt as if there was a holy aura around them.”
Acrylic, ink, crayon, mesh netting on canvas (2021)
Size: w 16″ x h 10″ x d 1.75″
Why Paint? That is the question asked of members of the Organization of Kingston Women Artists. Those in the group who choose paint as their medium have responded and their work will be exhibited in a show at Art Noise Gallery, Kingston, Canada (https://www.artnoise.ca/gallery.html) from 24 June to 07 August 2021. My contributions to this show include this piece as well as Nereids in the Garden of Hippocampus (https://npaulartworks.com/2021/01/13/nereids-in-the-garden-of-hippocampus/).
Nereids Reach the Deep Sea Floor started with an impulse to play – with pigment, mediums, collage – with paint. Over time and iterations I came to understand at last where it was going and brought in the Nereids and their friends: the luminescent, fanged creatures of the dark mountainous world that is the bottom of the ocean. Monstrous in appearance to us, it is they who are under threat, endangered because of the commercial fishery practice of bottom trawling. (Present here: Dragonfish (x2), anomuran, coelacanth, hatchet fish, fangtooth (x2), anglerfish, viperfish (x2), predatory tunicate, frilled shark, gulper eel (x2), tube-eye.)