
Acrylic and ink on cradled birch panel (2025)
Size: w 36″ x h 12″ x d 1.5″

Acrylic, ink, re-harvested PETE plastic on linen (2024)
This piece is now finished. It will be exhibited in Kingston for the month of November (Window Gallery) as part of the OKWA (Organization of Kingston Women Artists) annual show. Here is the statement I wrote in response to the show’s theme, Change:
“Ollie the orangutan was photographed in 1988 for a book about endangered species. In my painting he is bewildered, palms up in despair, bearing witness to the death and destruction in Gaza over the past year. This artwork itself has seen much change, originally a dense network of red dots but layer by layer overlaid with paint and buried in plastic rubble, symbolizing the tens of thousands of individual lives lost. If he is still alive, Ollie is 42 years old. I show him fading from our view just as these magnificent creatures are vanishing from the world, approaching extinction.”

Acrylic, handmade paper, ink on cradled birch panel (2023)
Size: w 16″ x h 12″ x d 1.5″
Part II of Triptych Into White (I, II, III: Destruction, Extinction, Disintegration)
Extinction
Extinction is the complete disappearance of a species from earth (National Geographic Society).
Extinction: A situation in which something no longer exists (Cambridge Dictionary).

Mixed media (acrylic, wood shavings, metal scrap, fence wire), 2023
Size: w 16″x h 12″ x h 1.5″ cradled birch panel
Part I of Triptych Into White (I, II, III: Destruction, Extinction, Disintegration)
Destruction
Rubble, ash, splintered wood, stone dust, pulverized concrete. What remains after the bombing of cities and catastrophe of earthquakes.


Acrylic, ink, pastel, Japanese paper on cradled birch panel (2023)
Size: w 24″ x h 12″ x d 1.5″
The red-crowned cranes of northeast Asia are known for their beautiful plumage and graceful courtship dances. Here, they are joined by young Nereids practising their ballet steps. The dragonfly, an audience of one, is barely visible at the top centre of the painting. I owe my inspiration for this work to photographers Tim Flach (“Red Crown Cranes Courting” from his Endangered series) and Sarah Waiswa (“Last Act” from her Ballet in Kibera project) — thank you to both.

Acrylic, ink, Japanese paper on canvas (started 2021, still in progress 2023)
Size: w 22″ x h 28″‘ x d 2″
This is the first of two (or more) baby octopuses joining the Nereids in this painting. I think I am procrastinating about finishing the sea dragons who occupy the bottom half of the canvas, but who’s in a hurry? Unfortunately the sun came out when I had just gotten started photographing, so the top half of the image is a bit obscured in the glare.