

Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
After having posted several “in progress”‘ images of this painting, I announced with great fanfare back in May that it was finally finished. It was not.

Acrylic, ink, re-harvested PETE plastic on linen (2024)
This piece is now finished. It will be exhibited in Kingston for the month of November (Window Gallery) as part of the OKWA (Organization of Kingston Women Artists) annual show. Here is the statement I wrote in response to the show’s theme, Change:
“Ollie the orangutan was photographed in 1988 for a book about endangered species. In my painting he is bewildered, palms up in despair, bearing witness to the death and destruction in Gaza over the past year. This artwork itself has seen much change, originally a dense network of red dots but layer by layer overlaid with paint and buried in plastic rubble, symbolizing the tens of thousands of individual lives lost. If he is still alive, Ollie is 42 years old. I show him fading from our view just as these magnificent creatures are vanishing from the world, approaching extinction.”

Acrylic, ink, pastel on canvas (2024)
Size: w 20″ x h 40″ x d 1.5″
Now finished — Ta-da!
Three of my paintings (Nereids in the Garden of Hippocampus, Leaving Eden, and Dragonfly Dance) are on exhibit at the Etobicoke Civic Centre this month through to June 6 as part of The Art of Regret, a group show of work by the Organization of Kingston Women Artists. Here is the link to the Civic Centre (scroll to click on Gallery Exhibitions and the image shown is of my piece, Leaving Eden).

Yet another detail (see last two posts), showing a bit more this time. Not finished yet.
This painting began with the idea of red flames, figures descending stairwells and climbing escape ladders while the earth’s treasure, all we cherish in this world, is vanishing, gone forever out the window. It is not so red anymore, but the fire and fear of red reach back to a painting I originally posted in February last year, Nereids Enter the Burning Forest.

Here is the statement I wrote recently for that painting:
This painting is about bravery in the face of insurmountable odds. The two figures run into a burning forest carrying balls of water, balloons. They do this rather than step back, look away, leave the job to others. With their action they counter the hopelessness we on the sidelines feel in these times of crisis. As I write this, the world mourns in anger the seemingly targeted deaths of seven humanitarian aid workers in Gaza.
RED
Red for me means love and joy
But that is not the subject here.
Fire and Fear
This red is a line and a light:
Don’t cross, it taunts;
Don’t move, it mocks.
This red threatens and cons.
Courage, it cries!
Promising passion,
It pleads sacrifice.
This red is infernal
Gathering heat as it roils and rolls,
It bleeds its case.
It wants your life.

Mixed media (acrylic, wood shavings, metal scrap, fence wire), 2023
Size: w 16″x h 12″ x h 1.5″ cradled birch panel
Part I of Triptych Into White (I, II, III: Destruction, Extinction, Disintegration)
Destruction
Rubble, ash, splintered wood, stone dust, pulverized concrete. What remains after the bombing of cities and catastrophe of earthquakes.

Coloured gesso, acrylic, graphite, ink on canvas (2022)
Size: w 14″ x h 20″ x d 1.5″
“Przewalski’s horse” is the only truly wild horse in existence. Other horses thought of as wild are in fact feral, according to The Smithsonian. For many years it was extinct in the wild, surviving only in zoos and field stations; its population was at long last successfully reintroduced in the 1990s to its native Mongolia where it is regarded as holy and known as the takhi (meaning spirit, worthy of worship). I picture the takhi roaming from room to room in Palladio’s Villa Poiana, lost between heaven and earth. The image arose from the confluence of two dreams I had 15 years apart, the most recent just a few weeks ago.