Her Lap of Roses

Acrylic on paper (1994)

Size (not documented, work now in private collection)

This painting was included in my series Breast Cancer: A Progress, though it is not about breast cancer at all but is simply a celebration of women. As I wrote at the time, it was included in the series to remind us of what we are fighting for against this devastating disease.

I provided the following background information for the show at Art Noise Gallery, Kingston, 1994.

Sources/Acknowledgements:

Centre panel: Botticelli (Italian, 15th century), Primavera (detail: lap of Flora)

Side panels, figures: Goddess figures from ancient cultures

Side panels, backgrounds: Paul Klee (Swiss, 20th century), Jardin de Roses

Self Portrait as Primitive

Conte on paper (1989)

This drawing was originally titled Under the Hill, after East Coker by T S Eliot.

“The houses are all gone under the sea.

The dancers are all gone under the hill.”

I said in 1989 that the image is about death and rebirth, about the passage of time and the rhythm of generations; that it also has to do with the elemental part of ourselves which we discover, recognize, only in times of extremity.

Carbon Dating (Detail)

Carbon Dating 2

Acrylic and conte on canvas (2015)

Size:  w 24″ x h 30″

A fossil of the primitive bird Archaeopteryx lithographia (the “Berlin specimen”) from the Solnhofen Limestone site in southern Germany was the inspiration for this painting, which took a turn or two of its own past that image.

Flight (from “Origins” series)

Acrylic and photograph collage on granite (2012)

Size: (w) 23 1/2″ x (h) 11 3/4″ x (d) 3″

Flight was created in response to a call for art inspired by the Frontenac Arch Biosphere Reserve in southeastern Ontario, Canada. For this piece as well as others in the “Origins” series, I obtained granite, sandstone, and limestone — sawn on one side — from a quarry near Seeley’s Bay;  I took the photographs of rock, water, and sky along the Thousand Islands Parkway between Brockville and Lansdowne.