
Conte on stone tile (2015)
Size: 6″ x 6″ x 0.25″

Acrylic on paper (1994)
Size (not documented, work now in private collection)
This painting was included in my series Breast Cancer: A Progress, though it is not about breast cancer at all but is simply a celebration of women. As I wrote at the time, it was included in the series to remind us of what we are fighting for against this devastating disease.
I provided the following background information for the show at Art Noise Gallery, Kingston, 1994.
Sources/Acknowledgements:
Centre panel: Botticelli (Italian, 15th century), Primavera (detail: lap of Flora)
Side panels, figures: Goddess figures from ancient cultures
Side panels, backgrounds: Paul Klee (Swiss, 20th century), Jardin de Roses

Conte on paper (1989)
This drawing was originally titled Under the Hill, after East Coker by T S Eliot.
“The houses are all gone under the sea.
The dancers are all gone under the hill.”
I said in 1989 that the image is about death and rebirth, about the passage of time and the rhythm of generations; that it also has to do with the elemental part of ourselves which we discover, recognize, only in times of extremity.

Acrylic on paper (estimate 1990)
Size: w 15″ x h 15″

Mixed media on travertine
Size: 4″ x 4″ x 3/8″

Black Gesso and Acrylic on Ceramic Tile
Size: 8″ x 8″ x 3/8″

Acrylic and photograph collage on granite (2012)
Size: 23 1/2″ x (h) 11 3/4″ x (d) 3″
Flight was created in response to a call for art inspired by the Frontenac Arch Biosphere Reserve in southeastern Ontario, Canada. For this piece as well as others in the “Origins” series, I obtained granite, sandstone, and limestone — sawn on one side — from a quarry near Seeley’s Bay; I took the photographs of rock, water, and sky along the Thousand Islands Parkway between Brockville and Lansdowne.